I work at an intentionally slow pace, striving to create pieces imbued with longevity. My hope is that they will be around for a long time. It is labour intensive, but therapeutic work. It is also immensely satisfying to be able to combine so many of my fibre interests together into one piece. Last year, I created a small collection of bears that incorporated elements of hand-spinning, felting and lacemaking. I also started naturally dyeing my own mohair with traditional dye sources like madder root, weld and indigo. The only downside is trying to find the room in my studio to store all the paraphernalia that inevitably accompanies each craft.